His partnership with veteran DJ Redeye Jedi and punk-rock past have made Cities Aviv a stronger live performer than most of his rap-scene compatriots. With his left-of-center musicality and sure, declarative flow, Cities Aviv is something new in Memphis music, more reminiscent of national underground/indie rap styles than any mainstream or Memphis precedent. For this unique local rapper, the “modern-man sound” incorporates electrobeats, jazz piano loops, and hip-hop golden-age turntable-and-sample songcraft, but also video-game loops, bird noises, spaced-out indie rock, and big snatches of Steely Dan.
![ten toes down instrumental youtube ten toes down instrumental youtube](https://i.ytimg.com/vi/8Hengc0XhEo/maxresdefault.jpg)
"I had to hit ’em with that modern-man sound,” Cities Aviv - aka Gavin Mays - raps on “Float On,” a late 2010 single included on his recent debut album, Digital Lows. Lead by Jason Paxton, Glorie takes instrumental music into artier, more ambient rock territory. Related Recommendations: The stellar instrumental trio The City Champs record for Bomar’s Electraphonic label and feature a guitar-keyboard-drums sound rooted in jazz-funk. & the MGs, electric blues, and ’70s funk, with vocal turns from classic Memphis artists such as Otis Clay and William Bell.
![ten toes down instrumental youtube ten toes down instrumental youtube](https://www.udiscovermusic.com/wp-content/uploads/2017/06/1000x600_67lostsongs2018-web-optimised-1000.jpg)
Got to Get Back! showcases the band’s mastery of different shades of the classic Memphis sound, echoing Booker T. The current incarnation of the Bo-Keys - which released its second album, Got to Get Back!, this summer - includes guitarist Skip Pitts (a longtime Isaac Hayes sideman), drummer Howard Grimes (Al Green and Hi Records), keyboardist Archie Turner (ditto), trumpeter Ben Cauley (Otis Redding), and sax player Floyd Newman (B.B. Producer and bassist Scott Bomar founded this vintage/retro soul band in the late ’90s as something of a tribute to classic Memphis soul players, many of whom have since joined the band at one time or another. The Limes, led by songwriter Shawn Cripps, debut their hazier take on the genre with last year’s label debut Rhinestone River. A frequent Bobo tourmate, Jack “Oblivian” Yarber adds an increasingly assured old-school R&B edge to the garage-punk template, most recently on his 2009 album The Disco Outlaw. Related Recommendations: Joining Bobo among local artists recording for the ascendant Memphis garage/punk label Goner Records are Jack O & the Tearjerkers and The Limes. A recent project has him donning makeup in the “kid’s band” Luv Clowns. From joyfully tongue-in-cheek title to righteous opening (“Sweet Life”) to swooning climax (“Drank”) and every bull’s-eye musical choice in between (classic-sounding soul- and folk-rock, locomotive country, carnivalesque pop, Paris café music), Sucker never missteps and says what it needs to say in less than half an hour.īobo is also known to put his music across with often extravagant, creative live shows: He’s performed with self-built staging that functions in 3-D or replicates the “Garden of Eden,” among other conceits, and has brought the Memphis Symphony Orchestra into Midtown rock club the Hi-Tone Café to back him up. Bobo crafted, with Sucker, a beautiful, shivering hymn to hard-won contentment. By the time ‘ Ten Toes Down’ draws to a close, you’ll find yourself humming along with the catchy hook and in need of hitting that repeat button for another listen.įrom the well balanced production and creative instrumentation, to the authentic vocal performance, fans of Young Froze, as well as those who appreciate new music, will definitely want to hear this single.At once soft-spoken and theatrical, this one-time sideman has emerged in recent years as arguably the city’s most admired songwriter and live performer, releasing a trio of terrific, personal albums - the lovelorn Too Much Love (2005), the prickly I’m Your Man (2007), and last year’s Sucker.Īt a precise moment stuck between what he himself calls a “slippery past” and an “uncertain future,” Harlan T. The subtle layering of free-flowing backing vocals adds a depth to the overall sound whilst also delivering just the right amount of dynamic diversity. The beat systematically drops out of the mix, check out 0:17 to 0:21 and 1:25 to 1:30, allowing for the vocal line to take the prominent position adding a creative flare to the production. Young Froze’s vocal color is clean and stylistic seamlessly synchronising with the smooth vibe of the instrumental accompaniment.
![ten toes down instrumental youtube ten toes down instrumental youtube](https://s.mxmcdn.net/images-storage/albums4/5/4/0/4/1/1/38114045_800_800.jpg)
The rhythm beat combines with the melodic progression to provide the perfect platform for the main vocal. Our featured single, ‘ Ten Toes Down’ by Young Froze, is out now and available to stream on all major streaming platforms! The single lasts around three minutes and sits at a steady 110bpm.